This
semester was a growing experience for me because it complicated my view of
history and the history making process. I learned to embrace forms of history
that might be rejected by some historians as imprecise, untrustworthy, or
illegitimate. I learned to focus more on whose stories are being told and who
is telling those stories. I found that the ability to disperse one’s own
interpretation of events to a wide audience is inextricably intertwined with
power over narrating the past and how that past relates to the present.
Studying oral histories and archiving in the context of Chicana feminism was
fundamental in getting a solid understanding of these issues of power that we
learned about. Being able to apply these strategies in the real world to
contribute to interpretations of history and to tell the story of mid-Western
Chicana feminists was an opportunity that few get and an experience that I will
never forget.
Methodologies
of Archival Research
Like
I mentioned in my blog post from the beginning of the course, my first
impression of archival research was not a positive one. Before this semester I
conceived of archives as dusty collections with few pieces of interesting
material and mostly information that would be used by scholars to, say,
estimate how many people were killed during the Civil War. This class changed
my perception of archives and the methodologies of archival research entirely.
I learned through cataloging Elena Herrada’s archive that archives certainly do
not need to be boring and that the stories they tell can be extremely
interesting and full of revelations for the reader.
Before
this course, the process of archival research was entirely hazy for me. I had
no idea what organizational systems were used or how people found useful
information. I also did not really have a concept of personal archives. Our
trips to the Bentley Historical Library and the Labadie Collection were very
instructive (and fun) experiences that taught me much more about public access
to archives and how personal archives can contribute to a broader understanding
of a topic (such as radical politics). The trip that Ari and I took to the
Burton Historical Collection also illustrated another common use of archival
research: ancestry research. We researched alongside a group of Daughters of
the American Revolution who were researching the ancestors of their group (focusing
on past leaders and their accomplishments). I was surprised by the number of
people who were at this collection, fully engaged in archival research. This
was evidence to me that more people are engaged in archival research than
merely college students and academics and that archives serve a valuable
purpose beyond the realm of academia.
I
really appreciated being able to engage in archival research myself and also
experience the other side of this process by organizing and cataloging an
entirely new archive. I learned about how much attention to detail is required
in organizing and creating a finding system for an archive. Specifically
attention to what tags might be relevant and considering how people might want
to use these histories in the future. I know from my own experience of looking
for information on Elena Herrada on the websites for the Reuther library,
Burton Collection and quite a few others that it is important to include tags
that might be valuable for researchers and the importance of specific
descriptions. On the other hand, from a research point of view I learned the
necessity of putting oneself in the mindset of the cataloger to perform a
successful search.
Methodologies
of Oral History
I again had little understanding of
the methodologies or even the concept of oral history before this course.
Through this course I was able to learn quite a bit of practical information
that synced neatly with course readings on the topic of oral history. It was
valuable for me to learn all the necessary techniques and all of the back-up
procedures. I gained a useful skillset through the process of creating oral
histories: from the ability to manipulate a sophisticated camera to understanding
the effect of surroundings on film quality and adjusting surroundings
accordingly.
We
learned in both our practice run and in Elena Herrada’s interview that ambient
noise can provide a distraction and that there are different options for
different types of noise. In the case of the initial location we planned to
film at, when we realized that the building (the Boulevard House) was undergoing
repairs that promised to be loud and distracting exactly during the time we
planned to do the interview, the best thing to do, we decided, was to abandon
that location in search of a newer, quieter one. In this case we were not able
to adjust the noise level in our surroundings by stopping the source of the noise
but rather by replacing our film environment entirely. In other instances, we
had more power in controlling extra noises in our filming. When the mic changed
positions on our interview subject or made other problematic noises, we were
able to pause the interview and make appropriate adjustments. Some other types
of ambient noise we were not really able to control at all. The heater, for
instance, turned on and off during our interview and made noise during these
times but we just had to accept that as part of the oral history. During our
practice run, Ari and I also encountered noisy chipmunks, but again, in some
cases there is no way to control for external noises and they end up becoming a
part of the oral history.
I was impressed by how well our
experience of oral histories stood up to what we had read and heard about oral
histories. For instance, we learned that subjects will usually be able to tell
their entire story with the interviewer just asking a question or two and found
this to be the case in interviewing Elena. Our experience also coheres with the
“Doing Oral History” reading which says: “The passage of time enables people to
make sense out of earlier events in their lives” and “Actions take on new
significance depending on their later consequences” (Ritchie 34). We could see
this in Elena Herrada’s oral history because she would describe certain people
and tell us what happened to them after the point in time she discusses in her
story. She did this because part of their character is defined by events that
occur after a certain memory or certain point of time. For instance, the fact
that a person (in an extreme case) committed suicide later on in their life is
an important piece of information about who that person was and what they might
have been dealing with throughout their life. Therefore, although it is not
part of the chronological flow of a story describing something that person did
earlier in their life; it is still an important detail that contributes to how
the subject has come to view the person who committed suicide and their
interactions with each other. We saw how time can influence people’s memory in
these types of non-chronological descriptions that were included in the
memories we heard.
Through this class I learned both
about the technical side of oral history and the more abstract, including how
memory works in relation to time. I learned also how academics integrate oral
histories into their works through reading Maylei Blackwell and Kimberly
Springer. Both of these authors use oral histories among other sources of
information to help create a more inclusive concept of the respective movements
they analyze. Through this course we learned about the methodologies of oral
history from all angles: the point of view of the recorder, the subject and the
historian analyzing the history. We also gained the confidence to be able to
perhaps conduct our own oral history projects in future, or at least play a
supportive role or advise others who may work on similar projects.
Working
in “Real World” situations
I would have to say that I feel I
learned the most about “real world” situations when all six of our group
members arrived at the Boulevard House with all the equipment and eventually
realized that the oral history would not be very good film quality if we filmed
it there. The flexibility we needed to have in order to change locations (and
Elena Herrada being gracious enough to allow us into her home on an unplanned
filming visit) spoke “real world” to me. This experience taught me that
something is most likely going to go wrong and you have to be willing to do
whatever you can to recover it. Even (and maybe especially) the world of oral
histories has times when you become thrown into different circumstances than
you had planned for and you have to try to redeem the situation as best you
can. I learned from the other members of the team who blended seamlessly into
the new location that carrying out these oral histories in the “real world” – with
a real subject and a real national project interested in the results of our
oral history – means that things can and probably will go wrong but being able
to adapt is key to being able to succeed.
Chicana
Feminism
From
our readings on Chicana feminism, I realized how much I am interested in the
concepts expressed by many Chicana feminists. I found that I really appreciate
the concept of the connection between social justice work and feminism in
particular. In this course we learned about the social justice actions of women
of color feminists and the concept of third world feminism. This concept is a
very interesting one because it is a unifying view of marginalized women all
over the world (across national/cultural lines). I appreciate the social justice lens applied
to a feminist consciousness that is observable in the actions and archives of
third world feminists and women of color feminists. Before this, I was not
really clear on whether identity as a women played a role in other social
justice pursuits, but also through readings such as Triple Jeopardy, I came to
understand that these two areas can be powerfully related and that this nexus
can actually be a point of mobilization – women who see a need in social
justice areas can use their common identity as women to create cohesive groups
that can work together to produce valuable, tangible results. One example of
women unifying to create tangible results is the women of the Brown Berets
working together to create a free clinic in East L.A.
Chicana Feminism is powerful in
creating tangible results. Although there was an ideological struggle to
decipher exactly what the calling of Chicana women should be (whether they must
choose between their identities as Chicanas and their identities as women);
women still bonded together through this struggle and were able to create
tangible change in their communities no matter what side of this ideological
line they fell on. We have learned that Chicana feminist organizations (and
many feminist organizations in general), were not always able to create
sustained organizations that lasted more than a few decades; however Maylei
Blackwell and Kimberly Springer were both very powerful in showing the
successes of many women of color feminist organizations while they lasted and
their legacies today.
I learned a lot through our
conversations about Chicana feminism and believe that hearing oral histories by
Chicana feminists (although some of the subjects of these oral histories do not
identify as such) was invaluable in expanding my understanding of Chicana
feminism from what we discussed in the rest of this course.
What
I learned about Myself
I learned that I have a genuine
interest in Archives and Oral Histories as recordings of the past. I learned
through this process that I am capable of performing tasks not commonly done by
undergrads such as facilitating the recording of different voices about
contributing to our understanding of the history of America. This project
opened my perspective to life outside of undergrad classes (which is typically
pretty hard to do when classes take up so much time) and helped me feel that,
even as an undergrad, I can make an impact on audiences wider than the university.
This
course was hugely helpful in utilizing multiple teaching methods to increase my
understanding of the theoretical concepts we discussed. The combination of
readings, lecturing and actually being able to create archives and oral
histories ourselves was something that allowed more depth of understanding than
would have been conveyed with merely reading or lecturing about this material.
Being able to act on what we had learned and seeing the challenges in our own
experience that we had read about in the experience of accomplished scholars
helped me to feel truly engaged.
I love the fine-grained detail of your description of the difficulties that can arise in the process of production Grace! Its so important for people to understand how delicate, but nevertheless resilient, this process is. I also appreciate the way you brought the readings, discussion, and practice elements of the course together. I agree with you that it was the combination that deepened our collective understanding of Chicana feminism in Michigan!
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