Sunday, November 10, 2013

Production Schedule



Production Schedule

Production Location:
             Production is set to begin at 3:00 pm at La Sed, 4138 W Vernor Hwy, Detroit, MI 48209
Phone:
(313) 554-2025
Production Crew:
            Maria Cotera—Professor/Project Coordinator
            Abraham Liddell—Production Manager
            Christian Brandt—Data Wrangler
Contact Information:
            Maria Cotera: (734) 834 7306
            Abraham Liddell: (734) 276 7216
            Christian Brandt: (248) 496 5456
           
Interviewer:
            Elena Herrada
Interviewee:
            Jane Garcia
Filming Schedule:
            Production crew will arrive at La Sed at 2:30 to set up before the shoot and prepare both the equipment and Jane Garcia.
            Shooting set to begin at 3:00 pm. Elena Herrada will lead the interview.
            The production will end at 5:30 pm.
            All equipment must be accounted for before departure.

Additional tasks if time permits:
            Go through Jane Garcia’s archives for pertinent material
            Scan new items
           



Wednesday, November 6, 2013

Jane Garcia campaign poster made by her children

Technical Perspective

During our interview (and leading up to it) we came across more than a few unexpected technical difficulties and found some things that worked really well for us. The day before the interview we were scrambling to find a camera. The lesson we learned here is prepare in advance. We were eventually able to get the correct camera and it actually helped us find out that the wireless microphone is a far superior product. We accidentally got a wireless “lav” mic and it made shooting much easier. There was a wireless receiver that plugged into the camera while the interview subject wore a wireless transmitter. This made it so that we didn’t have to run a long cord from the interviewee to the camera and we weren’t tethered to each other. One big lesson we learned from this shoot is that no matter how well you frame up your shot, your interview subject is going to move (ours moved a lot). I found myself constantly making slight adjustments to the camera just to try to keep her in frame. We also learned that it would be hugely beneficial to bring some sort of filing system along with you. Luckily, Jane was able to give us a large stack of manila folders to help us organize her archive. Without these folders we would have just had stacks of different sized documents scattered all or the place. One big issue that we had was communication. While I was running the camera, Abe was taking notes. Part of Abe’s job was to mark times of odd noises and interesting points. This was hard to do because I was running the camera and he couldn’t see the screen. We ended up using a mixture of hand signals and him peering over my shoulder and clearing things up during breaks.
            The process was actually quite painless overall. After getting there, setting up the camera and doing sound checks, doing background setup, doing lighting checks, and make sure the white balance was good only took about a half hour but could have been accomplished much quicker if needed. I recommend the cameraperson find a chair as standing over the camera can get quite uncomfortable after the first 30 or so minutes. We had a very accommodating and short-winded interviewee and we wrapped up the interview after only about an hour of filming. One personal thing that I noticed was that I missed a lot of the story because I was focused on making sure I captured everything that she said rather than focusing on what she said.  

Interview Process

The view from behind the camera
            Christian and I got to La Sed at the exact moment that Professor Cotera pulled up in her car just after 2:30. Together we unloaded all of the equipment and went inside. La Sed is located inside of what used to be a bank. The gray-brown stone façade is still very attractive and it stands proudly on the corner of Vernor and Scotten. It still had the slight feel of a bank when we entered, though it that had not been its purpose for decades. We went upstairs to find Jane Garcia, our interviewee, in her office. She and Professor Cotera embraced warmly. She was kind when introduced to Christian and myself, and when given the details about the interview process, Jane did not seem self-conscious in the slightest. Here was a woman who was used to taking the spotlight when it was necessary.
            Elena Herrada arrived shortly after we did, ready to go. She would lead the interview process, not Professor Cotera. This added an interesting dynamic. From the interviews that I had seen on Medici, I noticed that Professor Cotera was much less involved. I got the impression that she wanted all of the attention of the view to be focused on the interviewee. Cotera was much more detached, allowing the interviewee to narrate with her giving only slight parameters. The interview between Jane Garcia and Elena Herrada was much more conversational in tone—and as a result it was a bit more superficial. There were moments when I would cast a glance at Professor Cotera to see her raise a finger, or lean forward in her chair at some point that she wanted Elena to get Jane to elaborate further on.
            We still did learn quite a bit about Jane though and our recorder caught the moments off camera where Jane revealed more in-depth details about the nature of her work. The fact that she had worked at La Sed as a volunteer for so many years amazed everyone. We assumed that she was a paid employee, but we learned that this was not the case. Having Elena interview Jane Garcia gave us a short overview of her life. She was detailed where required, but much like most people being interviewed, she did not seem to think that finer details of her story were very important.
            I think that Christian and I learned a lot at La Sed. We certainly gathered a lot of information from Jane’s own personal archive. Looking at the numerous letters of correspondence with corporations that Jane had acquired through the years, I got a glimpse into the dynamic and powerfully driven woman that was only partly revealed in her interview. You got the sense that there was a lot more hiding under the surface. And she was so humble about all of it—and funny; her laugh was seriously infectious. Jane Garcia’s sense of self was rooted in her community, and her years of unpaid service to La Sed and the people of Detroit provided evidence of this. We wrapped up and left shortly after 5:00, and Jane was the last person to leave the building.
Jane Garcia resumé



Tuesday, November 5, 2013

Pictures from our first shoot with the marvelous Jane Garcia. Elena Herrada interviewed Jane, and she did a great job! The crew (Abraham and Christian) was stupendous, very efficient and reliable. All in all, an excellent experience!




Monday, November 4, 2013

Reflection #2: Alma Canales' Oral History & Brown Berets Free Clinic Article


I chose Alma Canales’ oral history for my reflection. As a young student and woman during the Chicano Movement, she identified with multiple communities during the 1970’s and played an influential role in La Raza Unida Party of Southwest Texas. Canales effectively engaged with her community, inspired women around her to play a more vocal role and dedicated long, hard hours to various campaigns and elections of Hidalgo County.

A critical part of Canales’ oral history is the relationship between male and female members of La Raza Unida as the organization grew in strength and began to play a more central role in the Chicano movement. She explained how her brothers in the movement had “no women who could run for office.” Canales shattered this perception by eventually running for lieutenant governor of Texas when she was twenty-four years old— six years under the minimum age required for candidacy. However, this history draws on a few crucial points we’ve touched on in class. For example, Canales explains the initial challenges La Raza Unida faced in 1970 as it struggled to establish it’s own political party in the state of Texas. Not only was political involvement and candidacy largely inaccessible to Chicanos during this time, but the system in place was entirely stacked against them as a community. This drove Chicano leaders to challenge certain rules already in place and fight to establish La Raza Unida Party. Additionally, since the political rules at the time required candidates for lieutenant governor of Texas to be of at least thirty years of age, Canales explains how Chicanos were largely at a disadvantage. This illuminates the barriers La Raza Unida Party needed to overcome since so many of their strongest, most involved activists were young students.

The tension between male and female activists involved in La Raza Unida during the 1970’s also raises a significant point concerning genders role in political activism. Canales explains how though women made up 50% of the party and were extremely involved in all aspects of its reach, they remained largely in the shadows as the men took center stage. This highlights what we’ve discussed throughout the semester — that the political engagement and success of countless female activists remained underappreciated and too seldom recognized. Canales for example, recollects on how she was extremely disappointed with the final product of Ignacio Garcia’s book United We Win. After thoroughly completing the questionnaire Garcia mailed her, to her disappointment much of it was not included in the final book. Instead Garcia focuses on Ramsey Muniz’s gubernatorial campaign of 1972 and 1974. Unfortunately Canales doesn’t elaborate on the differences she and her running mate shared or the tensions that arose following La Raza Unida Party’s decision to run Garcia for governor of Texas.

 This connects to the film Chicano! and the greater discussion we had in class about gender’s role in the Chicano movement. In Taking Back the Schools, it’s clear the Brown Berets plays a significant role in the Chicano community’s push for a better, more substantive education. However the Brown Berets were often depicted solely as a militant “mens” group, dressed in military fashion, adhering to a strict agenda. Though women played an essential role in the Brown Berets as well, whether through organizing the community or establishing health clinics for free aid, they were frequently removed from this history.

Canales further elaborates on the changing role activism and community involvement played throughout her lifetime. Women’s issues and education motivated Canales to represent her female constituency while running for lieutenant governor of Texas. She understood it was the women’s voice she was representing and striving to empower during her early career. However as she grew up and entered a new phase of her life, Canales explains how her focus has shifted to issues concerning health, well-being and aging — all of which are extremely important to her now. She notes that as she became more involved with her children’s education she faced intense judgment from those who believed she could be doing more politically for the Chicano community. Drawing from Chicano! Part II: The Struggle in the Fields, it’s clear the balance between political activism and family stability is a difficult one to maneuver. When exploring the work the National Farm Workers Association engaged in during the boycotts and labor strikes, it’s clear women were often placed in extremely demanding situations — needing to feed their families, as well as continue supporting the labor strikes at the same time. Here the intersection of gender and race is both challenging for many female activists, but also immensely empowering.

The oral history Canales shares is a journey — bringing the viewer into her life and illuminating all that she has accomplished and continues to accomplish as a community activist. She describes her own work with La Raza Unida Party as “a dream.” The injustice faced and challenges overcome were symbolic of a bunch of little Davids fighting against one, large Goliath she explains. Through her story we are better able to understand the complex dynamic between male and female activists involved in the Chicano Movement and the ways they are today portrayed (or not portrayed) in this complicated history.

Canales’ recollection of her past experience with La Raza Unida is powerful, however at times the poor sound clarity and background noise take away from her account. Near the end of the history her fidgeting is picked up by the microphone, hindering the sound quality and overall clarity of her voice. Aside from this, the lighting and camera angles used were both effective. The majority of the frame consisted of Canales face, which illustrated her deeps emotions and passions as she recollects on past experiences. By including a shot of Martha Cotera in the closing, the producers adopt the grassroots, community feeling of the Chicano movement — setting an informal tone and creating a space for honest, open discussion.
Image of the Brown Beret Free Clinic article by Barrio Editor, Manuel de Jesus Hernandez. Taken from CPMR online archive.
Moving now to the archival image I chose for my reflection — a newspaper article about East Los Angeles’ Brown Beret Free Clinic. I chose this piece because I will be interviewing Maria Guadiana late November, an educator and counselor who played an active role in the Brown Berets. This article hones in on the goals of the free clinic, which are mainly to challenge traditional social care and serve the greater Chicano community. Though faced with initial problems including finding available space and forming a trusting relationship with the facility’s owners, the clinic (at the time of the article’s publication) was serving 300 people a day — all free of cost. From sex education to medical and psychological services, the clinic played an invaluable role in the Chicano community. Interestingly, the editor failed to focus on the role of female Brown Beret members, instead choosing to gloss over gender and how it pertains to the Chicano movement at large. Hernandez does touch on the community outreach and activism that the clinic fostered however. He explains how the scope of the free clinic moved beyond healthcare and service to actually empower activists by sending them to county meetings where they fought for more adequate healthcare — including bilingual staff at local hospitals.

This article struck me for a couple reasons. As a writer at The Michigan Daily I was immediately drawn to the image of a newspaper clip, but I also found the closing section of the article thought-provoking. Barrio Editor, Manuel de Jesus Hernandez, includes the hours the free clinic is open Monday through Saturday and the Brown Berets plan to eventually offer dental care, in addition to psychological and medical services. By stressing the hours of operation at the end of his article I think Hernandez is increasing accessibility and awareness for Chicanos across Los Angeles, in addition to shedding light on the critical issues the community is facing and what they are doing to actively combat these challenges.

Reflection #2 - Elizabeth Pérez


Since coming to the University of Michigan, I’ve realized the amount of information that I have access that can help me learn more about “my people”. From classes and to extensive written knowledge, I realized that there is so much I didn’t know about my own culture and the struggles its had to encounter. When having to do any research or having ny free reign on a project for a class, I generally tie it back to something related to Mexicans, being Mexican American, or Latinos. So when looking for an image to write about, I decided to make it related to one of these things. For me it is really important to know this information first hand and not have anyone tell me about me.
The picture is one of the many Mexicans that helped Texans pick cotton. In my opinion, this image continues to make the case that Mexicans, for a very long time, have helped the US progress in some aspect or another. It represents the Mexican work ethic and their willingness to do anything to provide for their own. It shows that for a long time, the US and Mexicans have had this complicated, long-standing relationship.
I like this image for those very reasons. I like that there is proof that Mexicans have always been willing to do even the most arduous jobs in order to provide for their families. I like that you can imply, to a certain extent, that the US has needed Mexicans. With the image description, “One of the hundreds of Mexicans who lent a hand to Texas cotton growers. Without this help from across the border this cotton would not have been picked”, one can assume that a relationship with Mexico was not always so negative. What I mean is that this image reflects differently on this US-Mexican relationship than the current one. Unlike it can be assumed in this image, the US is now seen as highly helpful and beneficial for Mexico. It doesn’t make Mexico seem so needy and unable to make it on its own.
From this image, I get the sense that there’s a lot more information out there to help tell a better story about Mexico and its people with respect to the US. It makes me think that history can be retold to a certain extent. It makes me think of Jovita Gonzalez and how she revolutionized Texas folklore. This can be applied across the entire United States, and across other Latino-based cultures. It makes me realized how much knowledge is missing from the world on so many peoples. It really makes me appreciate courses like this one that try to help tell these stories and not let these histories go untold or unknown.
Based on my opinions shared above, I was very happy to watch Gloria Arrellanes’ oral history. I didn’t expect to be so captivated by the story she was going to share. My plan was to watch the first part of all the oral histories and decide what woman captured my attention the most and then watch that one oral history. Gloria was the second clip that I watched and that’s where I stopped looking for an oral history. Off the back her attitude and hearing that she had been part of so many things, I knew that she would be interesting to watch and that I’d learn so much from her.
Gloria’s way of ending up involved in the Chicano Movement and the Brown Berets was really amusing to me. I thought, how funny that she ended up doing so many great things just because she overheard people when out hanging out or cruising around. To hear that she went out and cruised the streets made her more of a real person to me. It made me identify with her. I think that her being able to express this in the interview and kind of laugh about it was what made me even more invested in what she had to say. She was a real person, out having fun and enjoying her life but was also able to do so many things for such a large group of people. Gloria attended conferences, riots, was involved in the Brown Berets, helped run a clinic for some time, and above all was able to reach out and cater to the Latino community.

One of the things that stood out to me the most from her interview was the way she expressed herself about her image. She said she was a big and loud woman and that helped her be heard. She used that to make a difference and stand up for herself and other woman. Watching her tell this was what made it more enjoyable, because you could see how she felt about it and how much being big and loud really helped her and what she wanted to do. This was interesting because her father wanted her to be a traditional, Mexican housewife. For so many years, Mexican women weren’t allowed to speak up for themselves and the idea of Gloria being one of those women just didn’t seem likely. She would help revolutionize the role woman played in the household with her bigness and loudness.

This boldness of hers was also displayed in her telling of the trips she made with others involved in the movement and the trips they made in her Volkswagen. Her willingness to travel with all men and not realize the type of things that she’d encounter along their way to DC was really admirable. She took so many risks in order to help the Chicano Movement make progress and try to get it to meet its goal.

As a Mexican American woman, this makes me proud but it frustrates me at the same time because the efforts and accomplishments made by woman for this movements aren’t very commonly known. Like Gloria says and we’ve learned from this class, woman were behind everything. They were the ones doing all the work behind the scenes, the ones actually getting things done but they received little to no credit. It’s saddening that the stories of women like Gloria weren’t passed on and recognized like those of the males involved. When Gloria says that she was a little disappointed that the new director of the clinic she worked with for so long didn’t know whom she was, I couldn’t help to think “ouch” like Gloria said. She was what made the clinic successful and for people not to know whom she was, was just disheartening. This made me think about how many efforts made by woman go untold and have the potential of being forgotten. Gloria was fortunate enough to be able to tell her story and have that part of Chicano history be known, but what about the women that aren’t heard? What about the woman that have the potential of being forgotten?


What Gloria had to say was very educational and motivating. It was very thought provoking and left me with the desire to learn more and appreciate the opportunity to be able to collect more stories like hers that help tell a story very important to me. It left me thinking that there’s so much else I can do to help tell a more accurate story.

Reflection #2: Herrada Image and Rosie Marie Roybal




Image: Herrada Archive, Burton Historical Collection

The postcard reads “I’ve always been impressed with the shit you’ve been able to pull 
off. Don’t bother trying to rub my nose in it anymore” from “Mr. Ellen Herrada”. The shortness, edginess and uniqueness of the note captured my attention the minute Grace and I encountered in Burton. First, Mr. Ellen Herrada addresses himself in a non-normative way that breaks gendered scripts of mail-writing. By calling himself Mr. Ellen Herrada, he does the exact opposite of what is expected. Traditionally, women are addressed as Mrs. (insert name of husband), so for Elena’s husband to do the opposite is notable. Second, he addresses Elena, with a swift, clever kick of support and a not-so-subtle hint that he would rather not be involved in Elena’s “shit.” These two aspects of the image intrigue me, but also give important leads to the story the image tells. 


The postcard tells us some obvious things: it was stamped in Detroit on September 29, 2001, sent from Mr. Herrada to Elena Herrada within the city. Clearly Elena did something troublesome and/or mischievous which turned out well. The postcard shows Mr. Herrada’s respect for Elena: he has “always been impressed” with her successes in situations that the postcard implies are problematic in some way. She’s a bright risk-taker. With the respect that her husband shows in the postcard, he proves himself to me as a trustworthy source for understanding Elena’s character. And from what I can tell from having met her, she has does hold an uncanny ability to achieve amazing things, even when success seems unlikely. 

Oral History: Rosie Marie Roybal

Rosie Marie Roybal shares her story of how educational opportunities brought her into various internships and public organizing jobs. Beginning in high school, Rosie found possibilities through her various mentors, most of which she describes as Latino men, who encouraged her to take advantage of after-school educational programs. Having come from a community of field workers, Rosie didn’t have institutional knowledge that comes with socioeconomic privilege, and learned through those special functions made for “students with potential” what she calls an “I can do” attitude: a mentality that ultimately lead her to pursue a college education.

However, getting to college was not easy. While her father was in the navy, Roybal relied on her older brother Lloyd to act as a father figure while her mom waitressed. Because the family struggled economically, Roybal’s mother feared not having the money for college tuition, so she became involved in the GI Forum as well as LULAC to help find funding. Those organizations and others like them gave Rosie the money she needed for both her undergraduate and graduate degrees.

Throughout her educational career, Rosie earned a teaching degree at Colorado State Teacher’s College, worked for the National Urban League, interned at Jobs for Progress/ Ser, networked as the Skills Bank Director, obtained a graduate degree in public administration, attended the Chicana Moratorium, worked with MAPA/ Mexican American Political Organization and combated institutional, structural, and internalized prejudices. Her widespread involvement and intense variety of experiences exposed her to the rifts even within the Latin@ community. 

Ultimately, Roybal’s interview provides us with personal, micro-experiences that relate to a broader narrative of political activism in the Latin@ community throughout the 1950s through the 1980s. Roybal describes the GI Forum in specific detail including the background of it’s creation as well as gender roles within the movement. Roybal describes how after World War II, soldiers were coming home, and families felt a sense of pride from contributing to the war effort. In response to general racism as well as a specific case of a Mexican-American war hero being denied burial in a federal war site, frustrated families came together and created the GI Forum. Roybal’s descriptions of gender roles within the GI Forum support stories from the documentary Chicano! Though I do not recall a large focus on the GI Forum in the documentary, many organizations in the Chicano and Chicana movements were influenced by it, and therefore the gender roles within it are important to note. Roybal describes how men did most of the respected work while women did clerical and domestic work. She recalls receiving cards from the organization written by women and how “wives were content to be wives”. Roybal’s descriptions of a women’s sector of the GI Forum match other community based activist groups. For example, within the Chicano movement, men enforced themselves as leaders which lead to a splintering between the men and women, creating a separate and distinct Chicana feminist organization. 

Roybal also mentions the Brown Beret movement coming to fruition during her time in school. Though she does not describe having intense involvement within the movement during her interview, the fact that she mentions seeing them around and feeling isolated from them gives us insight about the target of the movement and how class influenced which organizations individual Chicanos/Chicanas might have become involved in. Based on information from lectures in class, the Brown Berets had many similar goals to the Black Panther movement including community protection and organizing for working class people. Roybal mentions her work with African Americans during her community organizing career around the same time as the emergence of the Brown Berets. It makes sense to me that the communities were interacting, and her history confirms that. 

Beyond historical context, it is important to think about the ways the production of the interview adds to the quality and purpose of our project. One unsettling part for me was the consistent cutting and repasting of video. I felt that it took away from my focus on Rosie. In other interviews we’ve watched in class, the sessions don’t feel cut off (and I recognize that they’re edited for film). I can learn from comparing the interview to the movies we’ve watched in class that keeping a constant stream is better, if possible. 


I also noted the close focus of the camera that was used while interviewing Rosie. When Grace and I conducted our interview, we kept the camera a bit more distant. I see from watching the video, that the close view has particular advantages for the viewer, including a personal-ness and detail of facial expression that could be missed. The view adds to the project because individual personalities are precisely what the focus is. And of course, we hope to relate distinctive stories to the broader phenomenon of Chicana feminist histories. 




Reflection #2 Gloria Arrellanes & the Brown Berets

Archival Image  

After quite a few hours rummaging through boxes of archives in the Bentley I finally settled on an image. From the CPMR archive on Medici.

It’s not at all that I couldn't find anything of note at the Bentley, but more that given everything I've been reading about the Brown Berets, this particular image on the CPMR archive really stuck with me. It was very much a physical depiction of the words I've heard and read about the role of women in the movement.

So, this is the image.

I suppose you could say it doesn't look like much. Just a Brown Beret woman cooking. But I disagree. The best way to explain why is to show that internal dialogue I’d been having with myself about choosing the image. It went something like this (I’ll be playing the roles of both ‘Tom Brain’ and ‘Tom Gut Feeling’);

Tom Gut Feeling: This feels like the right image.

Tom Brain: Why’s that, Tom Gut Feeling? I think this is a bit simple, no?

TGF: Well, maybe, Tom Brain, but not really. I've been listening to these oral histories and reading all these articles explaining that at times there was a real conflict between men and women within the movement. I know there’s not much to the actual photo, but it’s an image of a role that was pretty pivotal to how the movement was organized, as well as one of its biggest downfalls.

TB: Yeah, but it’s an image of just one woman cooking. There’s no more information to be gleaned. You don’t know who she is, how often this occurred - surely it’s too small a sample size to be indicative of a major source of conflict between Brown Beret brothers and sisters?

TGF: I know it’s an image of only one woman cooking, but it says a lot when you put it in the broader context of everything we've read and heard. For example, we know that often women were restricted to roles such as this. We also know that this led to women being prohibited from having access to the organization’s decision making processes. Maybe it’s only one woman, at one time, but it’s reflective of a broader system in which the Brown Beret’s operated.

TB: Ok, firstly, you’re just a gut feeling so stop using reasoning, that’s my turf. Secondly, are you trying to say that from this image we can assume that Brown Beret sisters were subjugated into these roles? That’s ridiculous. You need to pick an image of an event, something that can tell a story, something that will give you some information. At least something that has wonderful imagery and symbolism! If I leave this reflection piece to you, we’ll end up with something like, ‘at one point the Brown Berets, like almost all other humans, needed to eat food. This image tells that harrowing tale’. 

TGF: Of course if we look solely at this image we can’t say that Brown Beret women were subjugated. But don’t you remember Gloria Arrellanes’ story about a Brown Beret conference meeting in which all the women from close by chapters attended, only to simply cook for the men who were in the conference room holding the actual meeting? Maybe this photo doesn't depict that exact story, but it is representative of the somewhat internalized roles that shaped the Brown Berets operations, and some even its (relative) demise. That’s why I like it, and that’s what drew me to it.

TB: Yes I remember that story, as a brain it’s my job. In fact, I remember it better than you. Do you not remember Gloria also saying that many of the women were happy to be doing the cooking? Internalized roles? You’ll have to excuse me, I didn't realize gut feelings made decisions about who did and didn't have agency.

TGF: I don’t think this image tells the story of every woman in the Brown Berets. I’ll bet there were those who loved fulfilling roles like these, and no doubt they were important roles. I’m sure many were of the opinion that this was the best way to contribute, and for some it probably was. I’m not making a comment on the legitimacy of that idea. What I am saying, however, is that many – women and men - thought women’s roles were restrictive and definitely not indicative of equality between revolutionary sisters and brothers, and this changed the way the Brown Berets existed. This image shows a woman in a role that caused great division within the organization. For that reason, it is as important as it is interesting.

TB: Yeah.. well.. shutup! You have no business using logic. Your job is simply to assist me in the decision making process, not to actually make the decisions.

TGF: .. You.. you’re not seeing any parallels here?

The conversation mostly deteriorated into name calling and bickering after that, but hopefully it’s clear enough why I chose that image.   

Oral History

Throughout her life, Gloria Arrellanes has been heavily involved in the Chicano movement in a number of ways. From being an important member of the Brown Berets and running free community clinics, to eventually being a founding member of Las Adelitas de Aztlan, Gloria has lived many of the stories we have heard in class, in readings, and in film.

Gloria was born in Los Angeles to a Chicano father and a Native American mother, a mix that would later come to greatly shape her perspective on the Chicano movement. She grew up in the notorious Maravilla projects in LA until the age of five, at which point she moved to the area of El Monte. These areas are important to Gloria’s story due to the significant role they played in attracting her to Chicano activism.
Gloria attended high school in El Monte, an area which at the time was not home to many Chicanos or Latinos. Here, she was consistently subjected to racism and prejudice, as well as what she calls ‘indoctrination’ from her school which for a time led her to question her Chicano identity.

 After many clashes at her high school between the white ‘surfers’ and the Chicanos and Latinos, the groups were eventually brought into mediation. This was a relatively successful event, and as a result Gloria began to going to different local junior high schools in order to discuss the race-related issues that kids would face upon moving to high school. This was her first experience of Chicano-related activism, however it was after deciding to leave college and travel that her association with the Brown Berets began.

Gloria’s interview reinforces a number of histories that we have read about the Brown Berets. The first thing that stood out to me was how many Chicanos did not support the Brown Berets due to their militant ideals. From many of our readings, as well as watching Chicano!, we are well aware that the militant philosophies that the Brown Berets promoted made them appear undesirable to many. Gloria’s interview certainly speaks to this.
Despite the group lacking appeal to some, we also know that the Brown Berets were a successful vehicle for the promotion of Chicano rights through community participation. This is demonstrated through Gloria’s explaining of her running of both ‘El Barrio Free Clinic’ and ‘La Clinica del Barrio’ – free community health clinics set up and run by Gloria and the Brown Berets. Gloria speaks proudly of her work within these clinics, and rightfully so, they were of immeasurable assistance to many within the community.

Interestingly, whilst Gloria speaks about her association with these clinics with pride, there is also a clear sense of frustration. This frustration stems from the second history that the interview reinforces – that there were deep gendered divisions within the Brown Berets. Numerous times, Gloria references moments when she felt that women were not being treated as ‘revolutionary sisters’ within the movement. These included occasions such as some Brown Beret men partying in her clinics, women being expected to cook for the men instead of being involved in the decision making processes, and even women being victims of sexual violence.

These events led Gloria to leave the Brown Berets and become one of the founders of Las Adelitas de Aztlan, a women’s group that sought to advance the Chicana movement. As we have learnt, Las Adelitas sought to be free of the patriarchal systems which seemingly governed both the Brown Berets and at times the broader Chicano movement. Las Adelitas were also important as they represented feminism at a time when the movement was considered too white and middle class by many women of color.  

The interview also raised issues related to Gloria’s mixed identity as both a member of the indigenous Gabrielino-Tongva Nation and a Chicana. She explains that the concept of Aztlan is one that is ‘put on top of’ her ancestral lands, and is therefore problematic for her identity as an indigenous person. Given that Gloria began a group called ‘Las Adelitas de Aztlan’, this is an interesting change of perspectives that raises important questions for how diverse identities within the Chicano movement affect individual and collective action.

Production Decisions

The production decisions that were made in presenting the interview appear to reflect the aims of the CPMR project. One of the main aims – to demonstrate the development of Chicana feminist thought- is definitely fulfilled by asking questions that pertain not just to certain events relevant to the Chicano movement, but also to themes of spirituality and cultural identity.

Responses are definitely the gold of oral history, but the questions are the picks used to extract such information. That is to say that an oral history interview almost always needs insightful questions in order to elicit meaningful responses. In this case, less-obvious questions in regards to spirituality serve to illuminate lesser known aspects about the development Chicana feminist thought, and thus serve the goals of the CPMR project.

From a technical standpoint, there were a few minor issues. Whilst the framing of the shot made for a nice level of intimacy with the interviewee, the interview was constantly backed by a somewhat irritating buzzing noise, and at times the video cut back for an unknown (un-Medici or break-in-questioning related) reason. Neither of these factors really hindered watching the interview in any meaningful way, however.

Overall, this oral history was a real pleasure to watch. It was insightful, and addressed many of the histories we have covered in class; the divisive nature of militaristic concepts in the Chicano movement, the role of women in the brown berets, the exclusivity of the broader feminist movement, and how identity shaped action within the Chicano movement.